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10/08/14 @ 1:51 pm EST
 Dynamite Entertainment is proud to reveal the amazing roster of comics talent for Captain Victory and the Galactic Rangers #6, the final senses-shattering chapter of Joe Casey's interpretation on the classic Jack Kirby creation. Featuring series regular Nathan Fox alongside guest contributors Benjamin Marra, Dan McDaid, Jim Mahfood, Michel Fiffe, Nick Dragotta, Tradd Moore, and industry heavyweight Grant Morrison ( Batman and Robin, Final Crisis), this special collaborative undertaking will hit store shelves in January. "There is a moment that occurs in the history of any artistic medium that truly defines it. This is one of those moments," says Joe Casey, acclaimed writer of Sex, The Uncanny X-Men, and Superman. "Our sixth issue is the reason Johannes Gutenberg birthed his culture-altering invention. In the face of what we've accomplished here, even sliced bread can suck it. And on top of the massive creative achievement of having all these artists contributing to this issue, we'll also -- once and for all -- make explicit the conceptual connection that Kirby himself only hinted at in his run. The true history of Captain Victory will finally be revealed! It's all-new and it's all-gods, not to mention exposing the dark side of Victory's origins. Retailers worldwide should order big and order often." Since its launch in August, Captain Victory and the Galactic Rangers strives to push all boundaries of sequential storytelling - a noble goal that its creative team hopes can honor the legacy of Jack Kirby. A legendary writer/artist whose visual style and design sense defined the Silver Age of Comic Books, Kirby first introduced the Captain Victory character to audiences in 1984, during a period of unfettered creative freedom. Upon taking the helm of Dynamite's new Captain Victoryminiseries, Joe Casey recruited artists with exceptionally distinct and experimental art styles, those illustrators whose vision could transcend the perceived physical limitations of the medium. After five issues of star-spanning adventure, wherein the crew of the Tiger lost their beloved captain (and the titular hero underwent an unbelievable transformation), the final issue of the Captain Victory series promises something that Jack Kirby tantalized readers with many years back, but only in passing: the secret origin of Captain Victory. It's a story so grand in scale that it could only be told by an assembly of ultra-talented comic artists. "I'm simply amazed at the creators involved with this project," says Nick Barrucci, CEO and Publisher of Dynamite Entertainment. "Issue after issue, Joe Casey, Nathan Fox, and our special guest contributors have done some mind-blowing work. But this last issue -- well, it's the cherry on top. Jack Kirby would be so proud." Regarding their part in the Captain Victory project, several contributing artists has the following to say: Grant Morrison ( Batman and Robin): "I've written a couple of Jack Kirby characters in the past but the opportunity to draw one was too good to pass up - as was the chance to work on a script by the unstoppable Joe Casey. I've known Joe for years and we're both devotees of the King and his Kosmos, but Captain Victory marks our first collaboration and our first chance to indulge in some Kirby-related celestial hi-jinks together. You know the drill, space soldiers; Don't ask! Just buy!" Benjamin Marra ( Hip Hop Family Tree): "It was a dream for me to draw characters and concepts created by Jack Kirby's legendary imagination. Kirby's astonishing contribution to popular culture is as unsung, by the majority of the masses, as it is unparalleled. The opportunity to create illustrations based on even a small portion of his ideas is an honor. Joe Casey's story reminded me why I love drawing comics. It was as much fun as I've ever had drawing and telling stories. I hope the readers will be able to connect with the story and sense the fun we had creating it. I hope Joe and I can collaborate in the future. I want to replicate the experience as many times as I can and do an even better job with Joe's words and ideas. We share a deep love of 1970s comics from the great Jim Steranko and Paul Gulacy, who were the heirs to Kirby's comic book ideas and aesthetics." Dan McDaid ( Jersey Gods): "It's such a thrill to be working with Joe Casey again, and on one of Jack Kirby's weirdest, wildest creations. I got a stack of battered Captain Victory comics for my birthday a few years ago and they're first-rate comics: vibrant, ambitious... strange! All words I would use to describe Joe, by the way. I can't think of a finer helmsman for ‘Dreadnought: Tiger', and I know he's preparing something really amazing for this special issue. Trust me, you are not ready for the world that's coming." Jim Mahfood ( Grrl Scouts): "I am a huge Kirby fanatic, so to work on this project has obviously been an immense thrill and honor for me. Joe Casey and I have been friends and collaborators for a long time now, and working with him is always a fun and action-packed adventure. I think Jack Kirby would most definitely approve!" Michel Fiffe ( Copra): "I had a great time drawing Joe Casey's young Captain Victory in the second issue, where he suffers a post-triple murder galactic aneurysm. Getting to rub elbows with some of my top level peers has been an honor, so being a part of the grand denouement is just gravy. Nick Dragotta ( East of West): "Jack Kirby was the forefront of comics. Joe Casey along with a ridiculous roster of talent from Fox to Fife to Simpson and more are carrying on that tradition. Captain Victory is the forefront." Tradd Moore ( All-New Ghost Rider): "Though I'd likely be excited to be involved in any comic with a mighty title like Captain Victory and the Galactic Rangers, Jack Kirby created this one, so it's a particularly fine honor to be included. Joe Casey, Nathan Fox, and the rest of the crew ain't too shabby either. I'm happy to contribute to this exciting series." Captain Victory and the Galactic Rangers #6 will be solicited in Diamond Comic Distributors' November Previews catalog, the premiere source of merchandise for the comic book specialty market, and slated for release in January. Comic book fans are encouraged to reserve copies of Captain Victory with their local comic book retailers. Captain Victory will also be available for individual customer purchase through digital platforms courtesy of Comixology, Dynamite Digital, iVerse, and Dark Horse Digital. 11/16/25 @ 12:48 pm EST
While most of the focus over at Marvel Studios is currently on the pair of upcoming Avengers films, Ryan Coogler is ready to return to Wakanda for a third Black Panther film. We’d heard of the possibility of the film originally from Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when Nate Moore left Marvel last year, he said he would be back producing the third Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.  11/16/25 @ 12:31 pm EST
The most recent news on the DCU has to do with Jimmy Olsen. Variety is reporting that Skyler Gisondo will reprise his role from Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd. Tony Yacenda and Dan Perrault are set to write and showrun with James Gunn and Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like American Vandal and Players. In the original report, Variety claimed the series would be called DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me.  11/15/25 @ 12:49 pm EST
A new Star Trek film is in the works and Paramount is tapping the team of Jonathan Goldstein and John Frances Daley to write, produce and direct. This news comes shortly after David Ellison, founder of Skydance who recently purchased the studio, told investors that the next Star Trek film would not be a sequel to the Chris Pine/ Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written Spider-Man: Homecoming for Marvel Studios and wrote and directed Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.  11/15/25 @ 12:32 pm EST
With The Fantastic Four: First Steps having moved to Disney+, the Pedro Pascal and Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong. Miles Teller, who played Reed Richards in Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.  11/09/25 @ 2:03 pm EST
The Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU.  ... 11/09/25 @ 1:37 pm EST
Predator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week, Sarah’s Oil and Nuremberg, opened in 4th and 5th with just over $4M each. Badlands is the third Predator project for director Dan Trachtenberg, the first Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film, Killer of Killers and then for the first time Badlands make the Predator the protagonist. 
11/08/25 @ 4:21 pm EST
Recent reports about problems on the set of Stranger Things may not have been what they seemed. There were stories being published that Millie Bobby Brown had filed a report against co-star David Habour, accusing the older actor of bullying. But the validity of those reports are now in question as both Brown and Harbour joined their Stranger Things cast members at the red=carpet premiere of the show’s fifth and final season. Brown and Harbour were seen joking together and even hugging. Brown has also spoke of Habour to Extra, saying: “It’s been amazing. We’re so lucky to have each other. The show means so much to the both of us, and to everyone here. This has been the last 10 years of our lives.” Brown stars as the psych-powered Eleven and Harbour plays Sherriff Jim Hopper who ends up adopting her. The fifth and final season will release on Netflix in three sets with Volume 1 on November 26 (four episodes), Volume 2 on Christmas (three episodes), and The Finale on New Year’s Eve.  11/01/25 @ 2:53 pm EST
There is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like Payback and Shooter. He dubbed his film, Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star, Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.  11/01/25 @ 2:38 pm EST
If you check the major Hollywood sites like Deadline and Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films: Venom, A Star is Born and Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention. Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters. When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series The Penguin, would easily match and likely succeed the success of the first film. The Batman opened on March 4, 2022 and ended that month with $338 million domestically. It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.  ... 10/26/25 @ 12:25 pm EST
DC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.  |
