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05/09/14 @ 6:41 am EST
Ande Parks Talks The Lone Ranger at Bleeding Cool! As The Lone Ranger series from Dynamite hits issue #24, it seemed like a good time for Byron Brewer to check in with series writer Ande Parks to see what he has in store for the Masked Man and his companion Tonto.
BYRON BREWER: So Ande, was this your attempt to put into comic book form the 1994 runaway bus film Speed, except this is on a train? (lol)
ANDE PARKS: I actually didn’t think of Speed, but it is a good analogy. The train’s speed is out of our heroes’ control. It creates, I hope, a tension throughout the entire issue.
This issue came from me wanting to do something very high energy and action-packed. The confined spaces of a train seemed like a good setting. Plus, I will confess that the big action sequence at the end of the Lone Ranger movie stuck with me. It featured a train, so that was probably a factor.
BB: It is taking me sometime to realize the Ranger left Silver behind on this one!
AP: I had to do some real thinking to work out what to do with the horses! I knew I wanted to have Lone Ranger leap from his horse to the train, but then what? I have Lone Ranger mention that the horses will be along soon on the last page, the idea being that they’ve been running along the rails throughout the issue, playing catch-up. Poor horses. I guess they’re used to working long hours with little reward. They’re good like that.
BB: Esteve Polls’ renderings of a runaway Iron Horse in Lone Ranger #24 are just breath-taking! The pacing and the sense of urgency in the characters enhance your script greatly. Your thoughts?
AP: I’ve been really lucky to have had Esteve interpret so many of my scripts. He’s a wonderful storyteller, and he’s perfect for these Western stories. He gives everyone in the stories, good and bad, a unique personality that really comes through. He draws the quiet moments well and, as you noted, he really delivers with the action, as well. I knew he’d make the most out of this train issue.
BB: Is it hard to find comic book artists that can portray the Lone Ranger’s time period with the rugged Western realism needed for these stories?
AP: Somewhat, yeah? Like I said, we’ve been so lucky to have Esteve, and the same goes for our whole team, including letterer Simon Bowland and colorist Marc Rueda.
Esteve sets the tone by getting the settings right. He really creates a credible world for our people to move around in, and I think that adds something to our stories. He always nails the saddles, the guns, the clothes… all that stuff. In my opinion, the realistic world Esteve creates around our characters makes their heroic deeds that much more powerful.
BB: With all the innocents involved in such a closed environment, the pacing on this tale is certainly different than some Lone Ranger fare. Was it hard to pull off?
AP: Actually, it was a little easier than an average issue. I had a certain number of action sequences I wanted to include. When I plotted out the issue page-by-page, those action moments pretty much dictated the pace for the whole thing. There wasn’t much room left to worry about!
The challenge was trying to make sure that the villains were more than just cardboard bad guys. Yeah… we wanted to keep thing moving, but you still have to get to know the villains and understand their agendas. Without that, the whole thing in meaningless.
BB: Can you tell us anything about our “unkillable” foe?
AP: The villain for this issue was born when I re-watched Ken Burns’ Civil War documentary with my kids awhile back. It got me thinking about John Brown. He was an interesting figure… a man who did some horrible things (and died himself) in service to a noble goal; to end slavery. I started to think about a character with the same zeal, but with a different goal; the emancipation of oppressed Native Americans.
So, I had an idea for a villain who might have good intentions, but I wanted to make him more interesting. In the solicitation copy for this issue, I wrote something about the heroes fighting an “unkillable” foe. I didn’t really know what that meant when I wrote it. When it came time to tell the story, I just had to figure it out. I came up with a solution that, I hope, is unique but makes sense for the character.
BB: What makes Lone Ranger and Tonto characters you continue to enjoy writing about, and ones fans never seem to tire of reading about?
AP: I realized after writing more than a dozen scripts (including our Death of Zorro book) with these characters when I realized that every one of them was, in a way, about the same thing; why these two men have decided to do this together. What binds them so closely? Their friendship is the core of the book, I think.
I also find The Ranger’s values appealing. He has been through tragedy, but he refuses to let the hardship darken his world view. He remains idealistic. Tonto is less so, and that makes the partnership more interesting.
BB: Is it hard to come up with new threats for the Ranger, locked in a period genre as it were? You certainly throw a ton of action his way in #24.
AP: It can be challenging, especially when telling single-issue stories as we have been recently. I just try to find something new for our characters to face. I start with a real world threat/theme that I find interesting, and try to add a little comic book jazz where I can.
I love the setting, and I try to mix in a little history whenever possible. It can’t be a history lesson, though. Yeah… we’re telling fairly realistic stories, but it’s still a comic book with good guys punching bad guys.
BB: Ande, any projects current or future you’d care to discuss?
AP: I’m writing a new thing for Dynamite. I don’t know how much they want to discuss that right now. I think I can say that crimes are committed. Lots of ‘em. So… keep an eye out for that. Thanks! 05/14/24 @ 10:46 pm EST
There’s a new slate of Marvel shows coming to Disney+ soon. During Disney’s Upfront presentation, Marvel Studios revealed that Agatha All Along will be flying onto the streamer on September 18. Two episodes will be available at launch, with episodes becoming available weekly thereafter. Meanwhile, audiences can expect Daredevil: Born Again in March 2025. Ironheart is also coming in 2025, though the studio didn’t say when, exactly, to expect that series. (via Deadline) 05/14/24 @ 10:39 pm EST
Yesterday, fans learned an X-Man would be joining the ranks of Marvel’s premier super hero team this summer, and today, it’s revealed to be none other than the goddess herself— STORM IS EARTH’S MIGHTIEST MUTANT! Storm will join the cast of Jed MacKay’s current run starting in August’s AVENGERS #17. The issue will also mark the debut of new series artist Valerio Schiti! Fresh off his bold work on G.O.D.S., the acclaimed artist known for his breathtaking action and dynamic character work takes the helm just in time for this exciting new era. Krakoa’s tragic fall has made the Avengers realize how vital a mutant voice on the team is, and they’ll settle for nothing less than the most prominent and beloved mutant super hero on the planet! A pop culture icon, Storm has assembled with the Avengers before—in both comics as well as other forms of media—but never like this! Not only will the Avengers need her Omega-level power for the battles ahead, but they’ll need to rely on her unique expertise and leadership skills as MacKay’s overarching plots involving Kang, the Twilight Court, and more kick into high gear. This only marks the beginning of what’s shaping up to be a monumental period for Storm as she’ll also headline an all-new solo ongoing series launching later this year! In the aftermath of Blood Hunt and Fall of the House of X, the Avengers are licking their wounds and reassessing their goals. One member takes the initiative by approaching Storm, hoping to add her strength and perspective to the team’s upcoming missions! And the roster won’t be the only thing shaken up when a deadly threat sets its vengeful sights on Earth! On the decision to add Storm to the lineup, MacKay said, "When we were putting together thoughts for X-Men, one problem kept coming up—Storm needed to have a presence in a book befitting her status, but it would be weird for her to be on an X-Men team if she wasn't the leader. The solution was simple—she needed to be on the global stage, among equals, and what better place for that than the Avengers? We're excited to bring Storm back to the Avengers and show what adventures she'll get up to as part of Earth's Mightiest Heroes!" On being the new AVENGERS artist, Schiti said, "As a reader, I am a great fan of Jed's run, and I really love the way he writes the team: not just as fellow soldiers, but as a group of friends with a shared past. At the same time he doesn't hold back on action and fight scenes! The balance between these two moods is exactly what excites me the most when I have to start a new gig!" "I have a soft spot for the mutants, so you can imagine my happiness when I knew that Storm was joining the team,” Schiti continued. “It's always fun to draw her powers, her body language, and her outfits. There's just one challenge: you always have to remember that she's not just a mutant, she's a goddess!" Check out Joshua Cassara’s electrifying AVENGERS #17 cover now. Stay tuned later this week for the full announcement of Storm’s new solo ongoing series and reveal of her new costume! 
... 05/14/24 @ 12:00 pm EST
The Tomb Raider TV series is moving forward at Amazon. A year and change after The Hollywood Reporter revealed Emmy winner Phoebe Waller-Bridge was writing and producing an adaptation of the popular video game turned action movie Tomb Raider, the retail giant/streamer has handed out a series order for the live-action series. A worldwide casting search will begin soon for an actress to play Lara Croft in the series from Legendary Television. The surprise announcement was made Tuesday during Amazon’s first trip to woo Madison Avenue ad buyers at TV’s Upfront week in New York, with the news arriving after another video game adaptation, Fallout, has become a breakout hit for the service. The Tomb Raider TV series is the first project to stem from a massive rights deal with Johnson’s dj2 Entertainment. A feature film and at least one video game in the Lara Croft franchise are also in the works as Amazon plots a Marvel-like franchise with all of the projects connected. 05/14/24 @ 11:50 am EST
Bestselling creator Maria Llovet (Crave, Luna, Porcelain) returns with this sexy one-shot compilation of her three-part story—previously published in the Image 30th Anniversary Anthology—titled, All the Things We Didn’t Do Last Night. This complete, criminals-to-lovers tale is set to hit shelves in July from Image Comics. In All the Things We Didn’t Do Last Night, Mamen is a young art historian who has become a jewelry thief because of a trauma from her past. Damon is a hitman tired of his bosses. Oblivious to their secret lives, they meet cute and promise to go on a date. But fate unites them before they planned, as both witness each other’s crime. "This one-shot was initially created as an 'origin story' of a bigger project of mine, so in this edition I’ve decided to include a lot of extra material and info where the readers will know more about these characters that I love and their future adventures," said Llovet. All the Things We Didn’t Do Last Night one-shot will be available at comic book shops on Wednesday, July 3: Cover A by Llovet - Lunar Code 0524IM238 Cover B by Llovet - Lunar Code 0524IM239 Cover C by Jesús Orellana - Lunar Code 0524IM240 Cover D (1:10 copy incentive virgin variant) by Orellana - Lunar Code 0524IM241 Cover E (1:15 copy incentive) by Llovet - Lunar Code 0524IM242 Cover F (1:20 copy incentive virgin variant) by Llovet - Lunar Code 0524IM243 All the Things We Didn’t Do Last Night one-shot will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.            
... 05/14/24 @ 11:36 am EST
Amazon continues to have faith in The Boys. The series has been renewed for Season 5, the company announced during Tuesday’s Upfront presentation. The news comes about a month before the fourth installment is set to hit Prime Video. The eight-episode Season 4 premieres on June 13 with three episodes, followed by a new episode each week, ending with the season finale on July 18. In Season 4, the world is on the brink. Victoria Neuman is closer than ever to the Oval Office and under the muscly thumb of Homelander, who is consolidating his power. Butcher, with only months to live, has lost Becca’s son and his job as The Boys’ leader. The rest of the team are fed up with his lies. With the stakes higher than ever, they have to find a way to work together and save the world before it’s too late. The Boys is based on The New York Times best-selling comic by Garth Ennis and Darick Robertson, who also serve as executive producers. Eric Kripke developed the series for TV and serves as showrunner and executive producer. (via Deadline) 05/13/24 @ 10:50 pm EST
The Barbarella feature starring Sydney Sweeney is getting more oxygen. Edgar Wright is in talks to direct the film for Sony Pictures, with Jane Goldman and Honey Ross in talks to write the script, The Hollywood Reporter has confirmed. The project is still in early development and is planned as a new take on the character that originated in a French comic series from Jean-Claude Forest. Barbarella, a mercenary who travels the universe, was portrayed by Jane Fonda in a 1968 movie version that has become a cult favorite. Sweeney’s involvement in the new film was announced in 2022. Wright is known for helming films including Last Night in Soho, Baby Driver and Scott Pilgrim vs. the World. His next project is set to be a new adaptation of The Running Man for Paramount Pictures that will star Glen Powell. 05/13/24 @ 10:29 pm EST
Fan-favorite Cliff Rathburn (The Walking Dead, Brit) will launch an all-new, four-issue science-fiction miniseries titled, Remote Space. This tale will kick off in June from Image Comics. Remote Space is set in the year 2450 and Earth is dying. The human species has gone down two different evolutionary paths. One used cybernetic augmentation to adapt to space travel. The humans left behind used genetic manipulation to adapt to earth's worsening climate. For earth to survive, civilizations need to collide. "I am proud of what I've done with Remote Space and I think anyone who buys a copy will be happy with their purchase," said Rathburn. Remote Space #1 will be available at comic book shops on Wednesday, June 12: Cover A (wraparound) by Rathburn - Lunar Code 0424IM209 Cover B (1:10 copy incentive) by Ryan Ottley - Lunar Code 0424IM210 Remote Space #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.     
05/13/24 @ 12:20 pm EST
Jason Statham (Fast & Furious) has been set to lead a new action-thriller from director Baltasar Kormákur (Everest), which Black Bear is launching this week for the Cannes market. In the currently untitled film, Statham will play Mason who lives in isolation in a remote Scottish island. When he rescues a young girl from the ocean in a terrible storm, he sets a chain of events in motion that brings a violent attack to his hideaway, forcing him back into the world to confront the ghosts of his past. Principal photography is scheduled to commence in November in the UK and Iceland with production services and filming to take place at Kormákur’s RVK Studios facility in Reykjavik. The script comes from Ward Parry. (via Deadline) 05/13/24 @ 12:15 pm EST
These apes are going to need a bigger boat for their cash! 20th Century Studios‘ Kingdom of the Planet of the Apes has come in over expectations with a $58.5M opening. Sunday came in at $16.5M, down 19%, a strong attributable to Mother’s Day. Who knew moms were fans of the Planet of the Apes movies? Typical Mother’s Day Saturday to Sunday drops are around the -28% range. That’s now the third highest opening for an Apes movie after Dawn of the Planet of the Apes ($72.6M) and Tim Burton’s Planet of the Apes ($68.5M). Kingdom of the Planet of the Apes only cost $160M, which is cheaper than Matt Reeves’ War for the Planet of the Apes which cost $190M before P&A. As Deadline reported yesterday, there’s hope for summer in a movie that can beat its tracking projections. Not everything is destined to become flat footed. 05/12/24 @ 2:40 pm EST
Susan Backlinie, the actress seen in one of the most terrifying cinematic moments in history, has passed away at the age of 77. Backlinie played the skinny-dipping swimmer attacked by the shark in the opening scene of the 1975 horror classic Jaws. She would later re-team with director Steven Spielberg to parody that same scene in his film 1941. From their her career moved more into stunt work for films and television including work on The Great Muppet Caper, Day of the Animals and The Fall Guy television series. No cause of death has been released. She is survived by her husband, Harvey. 
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